Back in the Garage
Since late December, we’ve been taking some time to work on recording. We’ve been working on our live performances, and recording is very different, so we’ve had to take a look at songs we’ve been performing and approach them differently. For the two tracks we’re working on now, we have taken two diverging paths.
The Girl In Number Six is a song we know the recording arrangement for pretty well, having recorded a demo for it previously. While there are several guitar parts we can’t cover live, it was just a question of syncing the drums and the bass together more tightly and knocking out our parts. There are still a few tweaks to make, but the version you can hear on the player is pretty much complete.
Desiree, on the other hand, required a complete re-think. The entire song really only has four chords and there are lots of ways to approach it. Finding the right way has been quite a journey, and we’re not quite there yet. We need to add one more drum part to the choruses and tighten up a couple of other things to make sure the chorus drives, but the vocal harmonies we’ve added and the guitar parts are working pretty well together. The important thing is getting the raw emotion of the song across without making life seem hopeless.
If you’d like to download the current versions of these two songs, you can go to our band page on SoundCloud to get 256 kbps MP3s. Get ‘em while they’re hot! They’ll be coming to thesixtyone.com soon.
Thesixtyone
We’ve been fans of thesixtyone.com for some time now. It’s a great music site that combines music, social networking, and a game aspect all in one unique package. It’s a free site for listening to artist-submitted music, and users control what songs rise to the top by ‘hearting’ songs they like.
Beat Concrete reflection logo
If you’re already on thesixtyone, you can hear us by going to our new band account at thesixtyone.com/#/beatconcrete. We’d love to see you there—if you enjoy our music we can use your support, and it’s a fun place to share music and interactions while discovering tons of really cool bands.
Unlike MySpace, there are filters on T61 for finding new music you like–whether by genre, popularity, mood, or by what your friends like. It’s a very democratic process and there are thousands of rabid music fans you can make friends with through listening to each other’s radios, sharing comments, hyping bands you like, etc. If you just want to listen to free music, you can do that to, but it’s really designed for people who want to interact with artists and listeners in a more active fashion.
“One Quarter Full” is the first song we posted, and it’s up now at thesixtyone.com/#/beatconcrete.
Peace.
One Quarter Full
We did some recording over the holiday break, and One Quarter Full is the first song to come out of that. Starting with a stereo track of drums of rhythm guitar recorded at rehearsal (no click track, so the tempo is um, natural), we layered 3 guitar tracks, 2 vocal tracks, and 1 bass track to make what is (surprisingly) probably our best-sounding recorded track to date.
Kudos to Beki for playing upright bass at 160 bpm and making it sound so easy. We added a little drive to the bass, so it doesn’t really sound like an upright (maybe a fretless electric), but it is. She also did a great job singing harmonies and we had fun working out new harmonies on the fly—each verse has a different feel even though the main vocal melody is the same.
For such a gloomy song in terms of lyrics, it sounds very happy. The backing vocals are just one track of Beki and I singing together on one mic, Beatles-style, but they came out pretty lush. Ken’s going to have a hard time learning his background parts while keeping up his drumming!
If you want to download the track, you can get it on SoundCloud right now for free–click here.
Hope you enjoy the song, and as always, we value your comments.
Peace.
Healthcare is a right for all
This pretty much sums up how I feel about the political struggle to the health care problems afflicting our country.
Peace, David
House Party This Weekend
We’ll be playing an exclusive and ever-so-hip house party this weekend. There will be an assortment of other musicians there, some of the young and some of them not. It should be a good time and we hope to see you there.
We just can’t tell you when or where it will be. It’s sort of a Nick and Nora’s Infinite Playlist affair, apparently. If you find it and us, we think you’re really cool. If you don’t, well, we still think you’re cool. Because we like you for who you are. You don’t have to pretend with us.
Peace.
Chapmantown Market – August 28 @ 2 PM
We’ll be playing at the Chapmantown Market this coming Friday, 28 August, from 2–5 PM. The weather should be good (hopefully not too hot) and we will be propagating a peaceful yet rocking vibe to the best of our abilities.
Here are the details:
What: Chapmantown Food & Fitness Fest – Farmers Market
Where: 1071 E 16th Street (at the end of E 16th Street) in Chico, CA
In the parking lot in front of Chapman Elementary School
When: Friday, 28 August from 2–5 PM
Need directions? Click the map below.
Chico Thursday Night Market – Sept 17 @ 6PM
Just added a show for Thursday, September 17 from 6-9 PM at the downtown Thursday Night Market in Chico. If you’re in the area, come on by–it’s free and we’ll be playing some new stuff. New songs will be in the early set, then probably later as well.
Beat Concrete live (artist's conception)
We’ll be on the stage on Third Street between Broadway and Main.
Good times will be had; hope to see you there!
Peace,
David
Beat Concrete Facebook Fan Page
Hey, if you’re on Facebook, you can become a fan of Beat Concrete. If you’re not on Facebook, that’s cool too. And if you’re on Facebook but don’t want to be a fan, we respect that.
Here’s the URL of the fan page: http://www.facebook.com/pages/Beat-Concrete/58813913236
New Demo: We R Doctor Funkenstein
Spent Sunday recording this and then made some tweaks and got a mix together today. Pretty much the same process as for ‘The End of the World’: cranked it out using Project5 and the little Line6 GearBox. Had to dig out my M-Audio Firewire 410 interface to record vocals as I didn’t want to go through the hassle of getting a microphone into the 1/4″ input of the GearBox. That turned out to be a mistake as the 410 is really a POS that always has driver problems. It almost destroyed my laptop (had to do a serious CHKDSK) but finally got it working although it wouldn’t work side-by-side with the Line6 box.
Not the George Clinton song, but man is P-Funk awesome
The whole goal of demos is to record something simply and easily but it wasn’t the case this time. But technology aside it was pretty easy to come up with the parts to go with the main guitar and vocal lines and Beki and I had some fun Sunday night singing background vocals. The song and mix aren’t very tight but it got a draft down on tape (so to speak) so that we can start playing it as a band in rehearsal. Which won’t be until next month when Ken gets back from his Euro vacation.
For once I wrote a 3-minute song. It’s a simple little ditty with some covert messages about peace and social justice. But mostly just a little ditty…
You can stream it from the player below (you can also download it from there, actually) or right-click and save from the link below.
Peace, y’all!
Three Cheers for Fleet Foxes
Some days you read stuff that makes your heart feel good. That’s what we felt today when we read Hypebot’s article on Fleet Foxes. Singer Robin Pecknold definitely hasn’t let success go to his head, saying among other things that illegally downloading songs helped his musical growth and that Fleet Foxes would never, ever sign with a major label.
Fleet Foxes bringing light to the indie music world
Here’s a quote from his blog that Exclaim picked up:
“Fleet Foxes will never, ever, under no circumstances, from now until the world chokes on gas fumes, sign to a major label. This includes all subsidiaries or permutations thereunder. Till we die.
“I just don’t see the point. Most major labels seem anti-music. We’ve pursued no such deal with Virgin (or been pursued to my knowledge, I think it was just a bit of news they reported) and would be idiots to be unhappy with our fam of label folks. It is true though that all copies of the CD LP will now include a free copy of the EP (like it is currently with the vinyl), but that’s not a ’special limited edition,’ it’ll be that way in perpetuity, no extra cost or packaging change.”
Unlike other successful artists (cough, cough, Metallica) Fleet Foxes say they don’t give a fig if fans download their songs illegally:
As much music as musicians can hear, that will only make music richer as an art form,” singer Robin Pecknold told the BBC. “I think we’re seeing that now with tons of new bands that are amazing, and are doing way better music now than was being made pre-Napster.”
“I’ve downloaded hundreds and hundreds of records – why would I care if somebody downloads ours? That’s such a petty thing to care about,” says Pecknold. “I mean, how much money does one person need? I think it’s disgusting when people complain about that, personally.”
This makes us glad that we bought their first album and makes even more excited for the next one (which, BTW, they are recording now in a northwest home studio). We’re all for legal downloading and use our Rhapsody subscription to listen to tons of new bands, but honestly, if you don’t have the money why should you be deprived of hearing new music? Support artists as much as you can but keep listening by any means necessary.
We’ll leave you with a clip of Fleet Foxes video for White Winter. Funnily enough, tried to put a link to their appearance on SNL but NBC had blocked the video–kind of makes the case for them being better off on Sub Pop rather than working for a major media conglomerate, doesn’t it? Peace.
