Back in the Garage
Since late December, we’ve been taking some time to work on recording. We’ve been working on our live performances, and recording is very different, so we’ve had to take a look at songs we’ve been performing and approach them differently. For the two tracks we’re working on now, we have taken two diverging paths.
The Girl In Number Six is a song we know the recording arrangement for pretty well, having recorded a demo for it previously. While there are several guitar parts we can’t cover live, it was just a question of syncing the drums and the bass together more tightly and knocking out our parts. There are still a few tweaks to make, but the version you can hear on the player is pretty much complete.
Desiree, on the other hand, required a complete re-think. The entire song really only has four chords and there are lots of ways to approach it. Finding the right way has been quite a journey, and we’re not quite there yet. We need to add one more drum part to the choruses and tighten up a couple of other things to make sure the chorus drives, but the vocal harmonies we’ve added and the guitar parts are working pretty well together. The important thing is getting the raw emotion of the song across without making life seem hopeless.
If you’d like to download the current versions of these two songs, you can go to our band page on SoundCloud to get 256 kbps MP3s. Get ‘em while they’re hot! They’ll be coming to thesixtyone.com soon.
Thesixtyone
We’ve been fans of thesixtyone.com for some time now. It’s a great music site that combines music, social networking, and a game aspect all in one unique package. It’s a free site for listening to artist-submitted music, and users control what songs rise to the top by ‘hearting’ songs they like.
Beat Concrete reflection logo
If you’re already on thesixtyone, you can hear us by going to our new band account at thesixtyone.com/#/beatconcrete. We’d love to see you there—if you enjoy our music we can use your support, and it’s a fun place to share music and interactions while discovering tons of really cool bands.
Unlike MySpace, there are filters on T61 for finding new music you like–whether by genre, popularity, mood, or by what your friends like. It’s a very democratic process and there are thousands of rabid music fans you can make friends with through listening to each other’s radios, sharing comments, hyping bands you like, etc. If you just want to listen to free music, you can do that to, but it’s really designed for people who want to interact with artists and listeners in a more active fashion.
“One Quarter Full” is the first song we posted, and it’s up now at thesixtyone.com/#/beatconcrete.
Peace.
One Quarter Full
We did some recording over the holiday break, and One Quarter Full is the first song to come out of that. Starting with a stereo track of drums of rhythm guitar recorded at rehearsal (no click track, so the tempo is um, natural), we layered 3 guitar tracks, 2 vocal tracks, and 1 bass track to make what is (surprisingly) probably our best-sounding recorded track to date.
Kudos to Beki for playing upright bass at 160 bpm and making it sound so easy. We added a little drive to the bass, so it doesn’t really sound like an upright (maybe a fretless electric), but it is. She also did a great job singing harmonies and we had fun working out new harmonies on the fly—each verse has a different feel even though the main vocal melody is the same.
For such a gloomy song in terms of lyrics, it sounds very happy. The backing vocals are just one track of Beki and I singing together on one mic, Beatles-style, but they came out pretty lush. Ken’s going to have a hard time learning his background parts while keeping up his drumming!
If you want to download the track, you can get it on SoundCloud right now for free–click here.
Hope you enjoy the song, and as always, we value your comments.
Peace.
