June Happenings
I’ve been writing some new songs and exploring my singer-songwriter side a little bit lately. Most recently, I’ve been working with English folk artist Richard John on a new track. He came up with some chord ideas, then I worked out a verse riff based on them and put a new chorus on it. It’s fun to swap ideas back and forth across the Atlantic and I’m pleased with the results so far. You can hear the track I recorded using contributions from Richard on guitar and banjo here. It’s a sad song called “The Years”—not sure if we’ll play it with Beat Concrete or not; we’ll see.
For folks in the North Valley, we’re playing the Thursday Night Market in Chico this coming Thursday, June 10, from 6 to 9 PM. Come by and groove with us for a while if you’re around. Keep it peaceful and easy, OK?
Back in the Garage
Since late December, we’ve been taking some time to work on recording. We’ve been working on our live performances, and recording is very different, so we’ve had to take a look at songs we’ve been performing and approach them differently. For the two tracks we’re working on now, we have taken two diverging paths.
The Girl In Number Six is a song we know the recording arrangement for pretty well, having recorded a demo for it previously. While there are several guitar parts we can’t cover live, it was just a question of syncing the drums and the bass together more tightly and knocking out our parts. There are still a few tweaks to make, but the version you can hear on the player is pretty much complete.
Desiree, on the other hand, required a complete re-think. The entire song really only has four chords and there are lots of ways to approach it. Finding the right way has been quite a journey, and we’re not quite there yet. We need to add one more drum part to the choruses and tighten up a couple of other things to make sure the chorus drives, but the vocal harmonies we’ve added and the guitar parts are working pretty well together. The important thing is getting the raw emotion of the song across without making life seem hopeless.
If you’d like to download the current versions of these two songs, you can go to our band page on SoundCloud to get 256 kbps MP3s. Get ‘em while they’re hot! They’ll be coming to thesixtyone.com soon.
The Girl in Number Six
Today we’re heading into the Beat Concrete vaults thanks to a little computer serendipity. I was listening to some live tracks and when Windows Media Player was through with them it moved to the next track, which turned out to be a demo of The Girl in Number Six. I’d forgotten about it, but listening to it fresh I decided it wasn’t half bad. The guitar arrangement was definitely influenced by XTC and to reflect their Northern English roots I played the secondary guitar parts through an AC-30 emulation on my trusty little Pandora headphone amp.
If you google 'the girl in number six' you get this--awesome!
The demo started with a mono rough mix of rhythm tracks we recorded in a North Coast studio a few years ago, and then I threw that on my little portable 8-track recorder and dubbed a few guitar tracks using my Pandora to try out the guitar arrangement I’d planned in my head. The mono track had a scratch vocal I’d recorded in the studio live to guide the other band members, and I doubled it with Beki singing alongside me into my 8-track’s build in mic. Voila! Instant demo.
Good demo or POS? You be the judge.
>> The Girl in Number Six (demo)
- Note: If you’re using FireFox, you may need to right-click on the file and choose ‘Save Link As…’ to save the file to your computer. Sorry to have to say that on every audio link but our ISP doesn’t seem to like FireFox. We do, though.
Nijinsky and Mr. Reed
Here’s another live rehearsal, this time of song that Rebecca wrote that we’ve been playing forever. I re-arranged my guitar part a few years ago and this is the way we play it now. Ken sings backup vocals on the middle section–one of his first recorded vocals in a Beat Concrete context.
>> Nijinsky and Mr. Reed (live rehearsal)
As with the other rehearsal tracks, the audio quality is as you’d expect from the built-in microphones on our lil’ Portastudio.
- Note: If you’re using FireFox, you may need to right-click on the file and choose ‘Save Link As…’ to save the file to your computer. Clicking on the link may only play the beginning of the song.
